This last piece must've come after spending too much time with STREET TALK. Somehow, it seems very quiet and reflective. Almost like the morning after. It has a warm friendly comfort about it that is inviting and forgiving. The chords keep shifting about before finally resolving to a pleasant descending chord line. In the background faint recollections of the night before glimmer through. Dig the spooky chord shift at the end.
OK. I'm talking out of my ... just enjoy the piece and I'll stop.
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